Secrets lurk behind every Vatican door in Edward Berger’s newest film, “Conclave.” Based on Robert Harris’s 2016 novel, the film follows Cardinal Thomas Lawrence, played by Ralph Fiennes, as he leads the selection of a new Pope following the sudden death of the previous Holy Father. “Conclave” has performed well at the box office one month after its release on Oct. 25th, boasting a worldwide gross of $33 million on a budget of $20 million. Berger has garnered praise for his artful cinematography, which is no surprise, as his previous film, “All Quiet on the Western Front,” took home the Oscar for Best Cinematography at the 2023 Academy Awards.
“Conclave” features a cast of seasoned professionals, which is apparent from the overall quality of acting. Notably, Fiennes’s performance as Cardinal Lawrence feels grounded and accessible. Despite the character’s divine status, he goes through an array of human emotions that the audience experiences along with him. In a film with minimal dialogue, Fiennes wears his character’s thoughts on his face while remaining subtle. Stanley Tucci, John Lithgow and Sergio Castellito also give strong and nuanced performances as the leading candidates to become Pope, each unique with secretive depth.
Compared to “All Quiet on the Western Front,” “Conclave” is a stark change of pace. The film’s pace is slow but never boring. While a slow burn, “Conclave” never drags and takes only the time it needs. The pace builds tension with its sharp and unpredictable score, causing the audience to feel uncomfortable and alert. Furthermore, the lack of sound in the Vatican adds to the discomfort and mystery the plot portrays.
The strongest aspect of “Conclave” is, arguably, its marvelous camerawork and visuals. Berger’s shot selection consists mostly of wides and close-ups that create tension and make the audience feel unsettled. He often utilizes symmetry to add to the film’s most visually appealing shots. Berger shows mature control of his film as he does not show every conversation or reaction. He withholds information and keeps certain things secret as his characters do. The cinematography is remarkable, and it wouldn’t be outlandish to deem the film an early favorite to take home the Oscar for Best Cinematography.
“Conclave” is one of the Fall’s most dazzling and thought-provoking pictures. Berger again proves his skill as a filmmaker and his all-star cast delivers exceptional performances to back him up.
